I've written 19 films that were carelessly slapped onto celluloid: 3 for HBO, 2 for Showtime, 2 for USA Net, and a whole bunch of CineMax Originals (which is what happens when an HBO movie goes really, really wrong).
Screenwriter Bill Martell talks about the Hollywood production process, and how it destroyed the movie that was originally going to be called Nottingham.
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I think that were I one of the writers who developed the original screenplay, I'd be telling the studio to remove my name from the credits, thankyouverymuch.
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I gather, then, that it has to have the scriptwriter(s) name on it even if it's utterly borked by the re-write/director.
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From what I've read about Hollyweird's accounting practises, (GAAP, according to one accountant I worked for, doesn't exist for them) I believe I'd regard residuals as a pleasant surprise if they arrived.
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